A film about Rasmus and Uffe, two young Danish superheroes on a mission. To save the planet. Okay, mainly the part of the planet that's covered in water. But they mean it and have already set up a sustainability business for which they have big plans to get the big guys who own the big ships to make big cuts in water emissions. It's very scientific and the boys are nerds extraordinaire! Yet, their sheer exuberance and charm helped us make a more interesting and entertaining film than the subject matter might have led us to believe.

WaterWarriors!

Rasmus and Uffe are two young Danish superheroes on a mission.  To save the planet.  Okay, mainly the part of the planet that's covered in water.  But they mean it and have already set up a sustainability business for which they have big plans to  get the big guys who own the big ships to make big cuts in water emissions.  It's very scientific and the boys are nerds extraordinaire!  Yet, their sheer exuberance and charm helped us make a more interesting and entertaining film than the subject matter might have led us to believe.

 For me, this was possibly the ultimate project.  A journey around the world in search of the stories at the heart of global trade.  The human stories of people who are changing society, not just in their own communities but across the planet.  Connecting with each other.  Understanding each other.  Trusting each other.  Filmed with a small, tight, young crew, we lived and worked in others pockets for two months, creating something we believed would be magical.  The series recently won the highest number of gold awards (eight) at the Cannes Dolphins film festival, including Best Film, Best Director and the rarely-awarded Grand Prix.   These awards, plus others we have won globally, hopefully mean that we captured just a little of a remarkable experience.

Overall, we made around thirty pieces of film content, from TV commercials to VR.  But the main body of work was the series of short documentary films, each featuring a different individual from around the world.  Most of them are young.  Each of them, in their own way, want to change the world for the better.  They want us to understand each other better.  Trust each other better.  Collaborate better.  Work and communicate better.  And connect better.

Partly inspired by The Silk Roads by Peter Frankopan, these films explore the human impact of global trade.  Our societies and cultures have been influenced and shaped by Trade, as has our art, our music and our literature.   Trade isn't just about the transference of goods, it's also about the spread of ideas, dreams and values.

In an age of facebook, this is about Maersk, an organisation who have been 'connecting the unconnected' for generations.

Our way of shooting was radical and different, combining advertising production values with documentary flexibility and a 'punk' ethos of film-making.  So satisfying.

Visual excellence was a major part of my vision.  But so were sonics.  The sounds were a vital ingredient.  Music, composed by Kevin Pollard, with a theme by Garry Bell and original songs by Kevin and I, crossing boundaries and genres - hip-hop, latin, african, chinese-electro-dance, classical and everything else we could think of.  Layers and textures of sound designed to express and embellish each story.

We all put our heart into The Heart of Trade.  The fact that it seems to have touched the hearts of viewers and awards juries justifies every sleepless night.

  

The Team:

Written and Directed by Malcolm Green Edited by Iain Wainwright (additional editing by Tom Baker) Cinematography: Daniel Trapp Additional cinematography: Tom Baker Music: Kevin Pollard Vocalist:  Bryde Colourist: Oisin at The Mill Sound: Timo and Envy Online:  Platform Post Additional Production: M2 Entertainment Producer: Stephen Plesniak Exec Producer: Simon Maniera Producer for M2: Lotte Kronborg Asst Producer: Jessie Ayles DIT: Antony Diaz Camera HOD: Julia Green Maersk Representative: Anders Rosendahl/Jon Black Andersson

If you’d like to read more about this project, read thie Moving Image Magazine article here